Chanting Book

Chanting
Book

The
Buddhist Society of Western Australia

Dhammaloka
Buddhist Centre
18-20 Nanson Way
Nollamara. WA 6061. Australia

 


1. DEDICATION OF OFFERINGS
 

Yo so
bhagavaa araha"m sammaasambuddho
Svaakkhaato yena bhagavataa dhammo
Supa.tipanno yassa bhagavato saavakasa"ngho
Tammaya"m bhagavanta"m sadhamma"m sasa"ngha"m
Imehi sakkaarehi yathaaraha"m aaropitehi abhipuujayaama
Saadhu no bhante bhagavaa suciraparinibbutopi
Pacchimaa-janataa-nukampamaanasaa
Ime sakkaare duggata-pannaakaara-bhuute pa.tigga.nhaatu
Amhaaka"m diigharatta"m hitaaya sukhaaya
To the Blessed One, the Lord who
fully attained perfect enlightenment,
To the Teaching which he expounded so well,
And to the Blessed One’s disciples, who have practised well,
To these – the Buddha, the Dhamma and the Sangha –
We render with offerings our rightful homage.
It is well for us, Blessed One, that having attained liberation,
You still had compassion for later generations.
Deign to accept these simple offerings
For our long-lasting benefit and for the happiness it gives us.
Araha"m
sammaasambuddho bhagavaa
Buddha"m bhagavanta"m abhivaademi

-(bow)-

Svaakkhaato bhagavataa dhammo
Dhamma"m namassaami

-(bow)-

Supatipanno bhagavato saavakasa"ngho
Sa"ngha"m namaami

-(bow)-

The Lord, the Perfectly
Enlightened and Blessed One –
I render homage to the Buddha, the Blessed One.

-(bow)-

The Teaching so completely explained by him –
I bow to the Dhamma.

-(bow)-

The Blessed One’s disciples who have practised well – I
bow to to the Sangha.

-(bow)-

 

2. PRELIMINARY
HOMAGE
 

Namo tassa
bhagavato arahato sammaasambuddhassa -(three times)-
Homage to the Blessed, Noble and
Perfectly Enlightened One.
a.
RECOLLECTION OF THE BUDDHA
 
Itipi so
bhagavaa araha"m sammaa-sambuddho
Vijjaa-cara.na-sampanno sugato lokaviduu
Anuttaro purisa-damma-saarathi satthaa deva-manussaana"m buddho bhagavaa

Tamaha"m bhagavanta"m abhipuujayaami
Tamaha"m bhagavanta"m sirasaa namaami

-(bow)-

He, the Blessed One, is indeed
the Noble Lord, the Perfectly Enlightened One;
He is impeccable in conduct and understanding, the Serene One, the Knower of the Worlds;
He trains perfectly those who wish to be trained; he is Teacher of gods and men; he is
Awake and Holy.

I chant my praise to the Blessed
One, I bow my head to the Blessed One.

-(bow)-

b.
RECOLLECTION OF THE DHAMMA
 
Svaakkhaato
bhagavataa dhammo
Sandi.t.thiko akaaliko ehipassiko
Opanayiko paccatta"m veditabbo vi~n~nuuhii

Tamaha"m dhamma"m abhipuujayaami
Tamaha"m dhamma"m sirasaa namaami

-(bow)-

The Dhamma is well-expounded by
the Blessed One,
Apparent here and now, timeless, encouraging investigation,
Leading to liberation, to be experienced individually by the wise.
I chant my praise to this Teaching,
I bow my head to this Truth.

-(bow)-

c.RECOLLECTION
OF THE SANGHA
 
Supa.tipanno
bhagavato saavaka-sa"ngho
Uju-pa.tipanno bhagavato saavaka-sa"ngho
~Naaya-pa.tipanno bhagavato saavaka-sa"ngho
Saamiici-pa.tipanno bhagavato saavaka-sa"ngho
Yadida"m cattaari purisa-yugaani a.t.tha purisa-puggalaa
Esa bhagavato saavaka-sa"ngho
Aahuneyyo paahuneyyo dakkhi.neyyo añjali-kara.niiyo
Anuttara"m puññakkhetta"m lokassa

Tamaha"m sa"ngha"m abhipuujayaami
Tamaha"m sa"ngha"m sirasaa namaami

-(bow)-

They are the Blessed One’s
disciples who have practised well,
Who have practised directly,
Who have practised insightfully,
Those who are accomplished in the practice;
That is the four pairs, the eight kinds of noble beings,
These are the Blessed One’s disciples.
Such ones are worthy of gifts, worthy of hospitality, worthy of offerings, worthy of
respect;
They give occasion for incomparable goodness to arise in the world

I chant my praise to this Sangha,
I bow my head to this Sangha

-(bow)-

 

3. METTA SUTTA – The
Buddha’s Words on Loving-Kindness

This is what should be done
By one who is skilled in goodness,
And who knows the path of peace:

Let them be able
and upright,
Straightforward and gentle in speech.
Humble and not conceited,
Contented and easily satisfied.
Unburdened with duties and frugal in their ways.
Peaceful and calm, and wise and skillful,
Not proud and demanding in nature.

Let them not do the slightest thing
That the wise would later reprove.

Wishing: In gladness and in saftey,
May all beings be at ease.
Whatever living beings there may be;
Whether they are weak or strong, omitting none,
The great or the mighty, medium, short or small,
The seen and the unseen,
Those living near and far away,
Those born and to-be-born,
May all beings be at ease!

Let none deceive another,
Or despise any being in any state.
Let none through anger or ill-will
Wish harm upon another.

Even as a mother protects with her life
Her child, her only child,
So with a boundless heart
Should one cherish all living beings:
Radiating kindness over the entire world
Spreading upwards to the skies,
And downwards to the depths;
Outwards and unbounded,
Freed from hatred and ill-will.

Whether standing or walking, seated or lying down
Free from drowsiness,
One should sustain this recollection.

This is said to be the sublime abiding.
By not holding to fixed views,
The pure-hearted one, having clarity of vision,
Being freed from all sense desires,
Is not born again into this world.

4. THE REFUGES
AND PRECEPTS
  

The "Going for Refuge" and taking the Precepts
define a person as a practising Buddhist.

Going for Refuge gives a continual perspective on life by
referring one’s conduct and understanding to the qualities of Buddha (wisdom), Dhamma
(truth) and Sangha (virtue). The Precepts are also for reflection and to define one’s
actions as a responsible human being.

There is a formal means of requesting the Refuges and
Precepts from a bhikkhu, which is as follows:

After bowing three times, with hands joined in A~njali,
recite the following:

Maya"m
bhante, ti-sara.nena saha pa~nca siilaani yaacaama

Dutiyampi maya"m bhante,
ti-sara.nena saha pa~nca siilaani yaacaama

Tatiyampi maya"m bhante, ti-sara.nena saha pa~nca
siilaani yaacaama

We, Venerable Sir, request the
three Refuges and the Five Precepts.

For the second
time, we, Venerable Sir, request the three Refuges and the Five Precepts.

For the third time, we, Venerable Sir, request the three
Refuges and the Five Precepts.

(Note: When requesting individually, change
Maya"m to Aha"m, and Yaacaama to Yaacaami)

4.1 GOING TO THE THREE REFUGES

Repeat after the leader:

Namo tassa
bhagavato arahato sammaasambuddhassa
Namo tassa bhagavato arahato sammaasambuddhassa
Namo tassa bhagavato arahato sammaasambuddhassa
Homage to the Blessed One, the
Noble One, the Perfectly Enlightened One.
Homage to the Blessed One, the Noble One, the Perfectly Enlightened One.
Homage to the Blessed One, the Noble One, the Perfectly Enlightened One.
Buddha"m
sara.na"m gacchaami
Dhamma"m sara.na"m gacchaami
Sa"ngha"m sara.na"m gacchaami

Dutiyampi
buddha"m sara.na"m gacchaami
Dutiyampi dhamma"m sara.na"m gacchaami
Dutiyampi sa"ngha"m sara.na"m gacchaami

Tatiyampi buddha"m sara.na"m gacchaami
Tatiyampi dhamma"m sara.na"m gacchaami
Tatiyampi sa"ngha"m sara.na"m gacchaami

To the Buddha I go for refuge.
To the Dhamma I go for refuge.
To the Sangha I go for refuge.

For the second time,
to the Buddha I go for refuge.
For the second time, to the Dhamma I go for refuge.
For the second time, to the Sangha I go for refuge.

For the third time, to the Buddha I go for refuge.
For the third time, to the Dhamma 1 go for refuge.
For the third time, to the Sangha I go for refuge.

Leader:
Tisara.na-gamana"m ni.t.thita"m

Response:
— Aama bhante

Leader:
This completes the going to the Three Refuges.

Response:
— Yes, Venerable Sir.

4.2 THE FIVE PRECEPTS

To undertake the precepts, repeat each precept after the
leader:

1.
Paa.naatipaataa verama.nii sikkhaa-pada"m samaadiyaami

2. Adinnaadaanaa verama.nii sikkhaa-pada"m samaadiyaami

3. Kaamesu micchaacaaraa verama.nii sikkhaa-pada"m
samaadiyaami

4. Musaavaadaa verama.nii sikkhaa-pada"m
samaadiyaami

5. Suraa-meraya-majja-pamaada.t.thaanaa verama.nii
sikkhaa-pada"m samaadiyaami

1. I undertake the precept to
refrain from destroying living creatures.

2. I
undertake the precept to refrain from taking that which is not given.

3. I undertake the precept to refrain from sexual
misconduct.

4. I undertake the precept to refrain from incorrect
speech.

5. I undertake the precept to refrain from intoxicating
liquors and drugs which lead to carelessness.

Leader:
Imaani pañca sikkhaa-padaani
Siilena sugati"m yanti
Siilena bhoga-sampadaa
Siilena nibbuti"m yanti

Tasmaa
siila"m visodhaye

Response:
— Saadhu, saadhu, saadhu

-(bow three times)-

Leader:
These Five Precepts
Have morality as a vehicle for happiness,
Have morality as a vehicle for good fortune,
Have morality as a vehicle for liberation.

Let
morality therefore be purified.

Response:
— Well said, well said, well said!

-(bow three times)-

 


About Pali text and pronunciation:

(adopted from Access-to-Insight)

In this transcription, Pali diacritical
marks are represented using plain ASCII characters according to a convention
widely used on the Internet by Pali students and scholars. Long vowels (those
usually typeset with a bar above them) are doubled: aa ii uu .
For consonants, the diacritic mark precedes the letter it affects. Thus, the
retroflex (cerebral) consonants (usually typeset with a dot underneath) are:
.r .t .th .d .dh .n .m .s .l . The guttural nasals (m
or n with a dot above) are represented by "m and "n
The palatal nasal is represented here as ~n .

Pronunciation

Paali is the original language of the Theravadin Buddhist
scriptures, the closest we have to the dialect spoken by the Buddha himself. It has no
written script of its own, and so every country that has adopted Theravada Buddhism has
used its own script to transcribe it. In Thailand this has meant that Paali has picked up
some of the tones of the Thai language, as each consonant and consonant cluster in the
Thai alphabet has a built-in tone — high, medium, low, rising, or falling. This accounts
for the characteristic melody of Thai Paali chanting.

Vowels

Paali has two sorts of vowels, long — aa, e, ii,
o, uu, and ay; and short — a, i, and u. Unlike long and shorts vowels in English,
the length here refers to the actual amount of time used to pronounce the vowel, and not
to its quality. Thus aa and a are both pronounced like the a in
father, simply that the sound aa is held for approximately twice as long as the
sound a. The same principle holds for ii and i, and for uu and
u. Thus, when chanting Paali, the vowels are pronounced as follows:

a as in father
o as in go
e as in they
u as in glue
i as in machine
ay as in Aye!

Consonants

Consonants are generally pronounced as they are in
English, with a few unexpected twists:

c as in ancient
p unaspirated, as in spot
k unaspirated, as in skin
ph as in upholstery
kh as in backhand
t unaspirated, as in stop
"m and "n as ng
th as in Thomas
~n as in canyon
v as w

Certain two-lettered notations — bh, dh, .dh, gh, jh
— denote an aspirated sound, somewhat in the throat, that we do not have in English and
that the Thais do not have in their language, either. The Thai solution to this problem is
to pronounce bh as a throaty ph, dh as a throaty th, and gh
as a throaty kh.

Paali also contains retroflex consonants, indicated with a
dot under the letter: .d, .dh, .l, .n, .t, .th. These have no English equivalent.
They are sounded by curling the tip of the tongue back against the palate, producing a
distinct nasal tone.

The meters of Paali poetry consists of various patterns of
full-length syllables alternating with half-length syllables.

Full-length syllables:

contain a long vowel (aa, e, ii, o, uu, ay); or
end with "m; or
end with a consonant followed by a syllable beginning with a consonant (e.g., Bud-dho,
Dham-mo, Sa"n-gho).

In this last case, the consonant clusters mentioned above
— bh, dh, .dh, gh, jh, kh, ph, th, .th — count as single consonants, while other
combinations containing h — such as lh and mh — count as double.)

Half-length syllables end in a short vowel.


Acknowledgement: Sincere thanks to Dr. James
Pinakis who has kindly helped in the conversion of the audio files.

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